18 January 2012

Poet's Folly

[Poem XXIII]

A lyric on my Art, written much like a monologue; an attempt (likely inadequate) to explain why I write. It would not be wrong to say that the content is undeniably personal and delivered quite forthrightly. Yet there pervades an inherent sense of high-flown irony: a poet's folly, the certitude of which he knows all too well and ignores just the same.


My supreme endeavour is to form the perfect sentence,
to compact infinity of thought—every thought—into a single phrase;
my design would see all beauty, agony and apathy subsumed into a verse.

I lust after the Sun, seeking to steal its undying warmth, its imperial splendour, its illimitable power—
I wish to place these on a page, a thing of littleness and impermanence,
there for all to read and ever to be read.
And to pluck the Moon from the sable sky-canvas,
to pour its romance and lambency into every impression of my pen—or whatever the delivery of my Impartations.

In the midst of Night I have contorted dreams, sculpted with scalpel their scene-sequences;
I have whispered things to myself that just as soon as they flourish flit away so bittersweetly.
In the chaotic wake of these fragments of entire lifetimes are my lines realised.

And horrors, grand grotesqueries: each new nightmare conceived with every step I take;
the chimeric Ideas that wrench themselves free from insubstantial chamber walls—
they are the Visions and the Voices, desiring worlds for their own.

Were my words to birth—birth as stars die—in the minds of others,
coming into that inexplicable existence that they yearn for,
it would quiet the continual intrusion of querulous imagery.

All of life is to me great poetry.

In every neglected sight there is a scrap of a poem waiting to be written;
in every furtive glance; in every meandering conversation: a tangential remark,
a disclosed truth that otherwise would never have been spoken aloud.
There is no epic greater than a man growing up, looking back and growing old;
no elegy more heart-rending than one of a death yet to occur—
the Ballad of One is the Ballad of All.
In me, these are already written:

My supreme endeavour is to form the perfect sentence—

M.M. — December MMXI; Ianuarius MMXII

15 January 2012

Metaprose I - A face [Incomplete – Back catalogue]

To be read alongside "Karo-lina" by Aneta Kowalczyk (hellwoman).

A face.

The Woman's face—Her face. Properly: a portrait of The youthful, attractive Woman rendered in soft, appealing black and white monochrome.

Her head turned rightwards, ever so slightly tilted, over Her hunched-forward shoulder; perhaps She sits. There is a slight protuberance on the shoulder that causes a shadow to stain: Her clavicle.

She wears a necklace. Her jaw obscures the greater part of it; it may be of a beaded design: silver and black beads, to infer. The lowermost of Her neck—flesh—juts out: She sits; but certainly the right shoulder is forwardly.

There are creases emanating from the nook under Her arm: several thin lines near the top, one more—maybe two—barely thicker, arcs out to the upper-left from the middle.

She wears a tank top; an off-white?—a likely beige. The hems—shoulderwards, neckwards—double-stitched. Her top is wrinkled to a small degree as She sits, or poses hunching forward, or both.

Her hair is done up: a French twist, perhaps a semi-French bun, swept on the right side. The colour most likely is a brown—The Brunette.

M.M. — November-December MMIX

11 January 2012

Forward Poetry Anthology

The Forward Poetry Regionals 2011: A World of Verse anthology, in which "Death Mask" is printed, arrived in the post today.

Pictures can be found here!